The Writer's Blessing

I'm not religious, but this seemed so very fitting for this week. I hope you have a wonderful writing week and feel free to spread the Writer's Blessing around!

Photo credit: https://www.pinterest.com/pin/476326098069733776/

On The Art of Pacing a Scene

Pacing is one of those illusive elements of the writing craft. You don't want to forge ahead at such a breakneck pace that your readers are gasping, but you also don't want to bore them on such a long amble that they put your book down and move on to the next one.

It seems like some writers are naturally blessed with the ability to perfectly pace a scene. They know when to slow down, when to speed up, and when to make time stop and hang in midair.

If you're not naturally blessed with pacing genius, how in the world is it something you can develop? This week, I'll share with you a few examples of ways to get your pacing under control.

First, my ultimate and overarching advice is to urge you to read. Read in your favorite genre, read outside it. Read anything you can get your hands on - whether it's a newspaper article or a five volume novel. Reading allows you to learn the pacing techniques of other writers firsthand. Some will be spot-on, others way off, and more still somewhere in the middle. If you read them all, you learn what works, what doesn't, and how to fix that in your own piece.

The second piece of advice is to understand your scene. If you're writing a romantic scene or a developmental moment in the plot, you'll want to slow down. If you're writing a chase scene with the killer, or a heated argument, you'll want to turn the pace up a notch.

Understanding what each particular moment in your novel needs is crucial. After you've identified, however, you then need to know what to do to get the desired slowing or quickening pace you're after.

Here are some ideas:

If you're slowing down - 1. Back up. Give readers descriptive passages of the setting, the characters, and what's happening. It's like panning the camera wide in a movie. We're able to see more of the surroundings so the shot can stay on the screen longer. There's more to hold our attention. 2. Get in their heads. Make sure you check in with your main character or other characters in the room and get their feelings, thoughts, and ideas on the page. This can be used to break up dialogue or to give readers a moment to digest the new plot information with the character.

If you're speeding up - 1. Get in the thick of it. Focus on the here and now in the scene. This is not the time for your protagonist to notice how long McFarlan Street is or to think back on the girl he met last night. Adrenaline is high, things are happening, and that's what your character and your reader care about right now. 2. The senses matter. Allow us to taste the blood of a split lip. Let us hear the roar of the approaching train. Give us the smell of the burning fuse. These concrete sensory images bring readers closer to the scene, and when you highlight the right sense with the right piece of information, the tension soars and your pace quickens.

One final snippet of advice: Write with your scene in mind. If you're in the middle of a fight scene, stick to short sentences - yes, even fragments. Strengthen your verbs and ditch all adjectives and adverbs - yes, all of them - to keep things moving.

On the flip side, for a slow scene, use longer, more fluid sentences and paragraphs. You can get away with more details and more adjectives and adverbs (though please try to cut as many as you possibly can. Remember the advice of the great Stephen King, "The road to hell is paved with adverbs".)

Above all, make sure you picture your scene while you're writing. If you're in tune with your characters while you write, they usually reveal the details, thoughts, senses and verbs you need at that given time. Remember, all you need to be a great writer is within you. You simply have to uncover it.

Tips for Reading Your Work to an Audience

This weekend I'll be reading at a poetry open mic in my town. As I prepare the poems I'm going to read, I though I'd share with you a few snippets of important info to keep in mind when you do a poetry reading aloud to an audience.


1. Slow Down: It's easy to get caught up in the adrenaline of the moment and race through your poem or short story. But remember, the crowd is gathered to hear your work. They want to be able to absorb and contemplate the beginning, middle, end, and every piece of metaphor and imagery you toss their way. If you speed through your poem, they won't be able to appreciate what you've created. So, take a deep breath and read slowly. You will undoubtedly think that you're reading much too slow for anyone to stay interested. Trust me, this is the correct speed.

2. Make Eye Contact: There's nothing that says amateur like reading your poem, line for line, without ever once making eye contact with the assembled crowd. Not only does it seem awkward, but it bars your listeners from making a connection with you, which means they won't feel connected to your poetry either.

3. Find Your Rhythm: Much like musicians, writers spend hours deciphering the mood of a poem. Read your poetry out loud. Find the correct cadence for each piece (which will be dictated by whether the work is serious, humorous, narrative, lyrical, or a combination of two or more styles). You can even write notes in the margins of your poem to remind yourself when to pause, speed up, and change your tone of voice.


Ready for your own poetry reading? Do a little homework by watching famous poets read their work aloud. Many are readily available on YouTube. Here are a few of my favorites:

Check out Billy Collins reading four poems: https://www.youtube.com/watch?v=tTxpQCY7df8&nohtml5=False

And if you're into slam poetry, this one by Lily Myers is amazing: https://www.youtube.com/watch?v=zQucWXWXp3k&nohtml5=False


Above it all, though, just relax. The people gathered there do indeed want to hear your point of view and your ideas. Stay confident, stick to what you practiced and the performance will be over before you know it!

Fiction vs. Nonfiction - What's the Difference?

In my writer's group, we're a diverse bunch. There are literary fiction novelists, flash fiction scribes, essayists, poets, memoirists, writers for children, and international writers. The only way we're able to critique each other's work is by the fact that we understand and respect the rules and guidelines of each particular genre.

This got me thinking. What if my blog readers wanted to join a diverse writer's group? (One that doesn't say in the description, "We're a group of YA novelists helping each other on the way to publication", not that there's anything wrong with that. In fact, if you're a YA novelist, you should join them. However, if that's not readily available around you, check out a diverse group, they're awesome.)

So, long story short, we're going to talk about the main difference between Fiction and Nonfiction.

This is great if you're critiquing the work of others, if you're a nonfiction writer with a novel idea, or a fiction writer ready to tackle the scientific explanation of worm holes.

What is the main difference between Fiction and Nonfiction?

Fiction poses questions, whereas nonfiction answers questions.

Yes, it really is that simple.

Think back to your high school days with all those giant textbooks. They often included bold headers throughout the chapter saying something like:

Why is the sky blue?

How does Carver embody minimalist style?

What is an integer? 

The paragraphs of text that followed those headers would answer the question and explain why the answer was that way.

However, this is not the case in fiction. In fiction, whether it's a short story, novella or novel, the best writers simply present us with a question.

Harper Lee posed the question of how innocence is destroyed, as well as the impacts of racism.

F. Scott Fitzgerald posed what facilitates the decline of the "American Dream".

Mary Shelley posed the question of what are the tolls in the pursuit of knowledge.

Being a fiction writer means that through your work, you uncover a question for the reader to ponder and create their own answers for. A nonfiction writer has the question predefined and uses their writing to provide answers for that problem.

It's the ultimate boiling down of the term, show don't tell, to a thematic level.


(Special Note: Memoir and other creative nonfiction [think David Sedaris and Elizabeth Gilbert] has shifted more to a fiction "pose the question, don't answer it" mentality in this post-modern time. So, if you're writing a memoir that reads like fiction, but is merely recounting factual events, please follow the thematic guidelines for fiction writing. It'll be so much more successful.)

Why We Write (AKA An Explanation for Non-Writers with Questions)

It's been a busy week for me: meeting new people, explaining that I'm a writer, trying to answer their questions when they ask what I write.

Sure, it's easy enough to tell someone about your current project, but if you're like me and you write in a variety of genres (novels, short stories, poetry, nonfiction) and also for a variety of readers (children, teens, adults), chances are the questions get deeper, especially when you're talking to a non-writer.

So how do you explain to others exactly what you write without going into a twenty minute long explanation of all you can do?

I've found a simple way to do just that. Now, it won't stop questions from the most determined person, but it seems to be an alright explanation for most people.

Why We Write:

We write to describe something new and unusual in a simple and attainable way. Or, to describe something simple and commonplace in a new and unusual way.

What exactly does this mean?

It's easiest to explain with poems. Have you ever written or read a beautiful poem about washing the dishes or dusting the TV set that made you in awe of how someone could describe something so everyday in a beautiful way that made you never look at dishes or dusting the same way? I have. That's describing something commonplace in a new way. And it's definitely needed.

On the flip side, there are situations that are unique to a subset of our population that not all of us experience in our lives. Genre fiction, like fantasy, sci-fi, and mystery are great examples of this. Fantasy writers have to introduce you to the characters of their world and the rules of their setting. This is something none of us have ever experienced before, since the author is setting up the world from scratch. However, they must do their writing in a way that makes even the most outlandish idea possible for readers to understand. In that way, they explain something new and unusual in a simple way so we don't get lost. And it's definitely needed.

So, the next time you find yourself, drink in hand, speaking with someone about what you do, feel free to use this explanation to help people understand your drive to write.



[Special Note: I'm not sure if this idea came from a famous writing quote or from a previous professor of mine. However, if you ever find the origination of this idea out there on the internet, link me in. I'm sure whomever described it first did a better job than I, and I'd love to see that!]

Grabbing Readers by the Throat

I finished writing a new novel earlier this month. After letting it sit a week or so, I started rereading it, revising, and sending preliminary drafts out for critique to my writing group.

Now, you must know that the idea for this novel came to me years ago - when I was only a junior in high school. However, all the pieces didn't click together until now, when the book came rushing out of my fingers and pounded in the keys of my laptop.

When I started writing just a few months ago, I began with a sentence (like all of us do). Let's call that Sentence A.

However, when I looked over my notes, I found another beginning sentence I'd written back in high school. This is Sentence B. Not only was it completely different, but it started me almost two chapters prior in the day than what I wrote in Sentence A.

So, naturally, I decided I'd play out what happened between Sentence B and Sentence A. Five thousand words of exposition later, I had a first and second chapter cluttering up the most important part of my novel - the beginning.

It's not like that information is bad, or not useful, or even boring. Things happen. Important characters are introduced. The world is set up.

But it isn't the RIGHT information. It's not the stuff that readers need to know about the protagonist and the inciting incident right from the very first page.

In fact, one of the women in my writing group said, "It's not like Sentence B didn't grab me. It did. It took me by the hand. But Sentence A grabs me by the throat and doesn't let me go."

The strange part about all of this is that I knew that Sentence A was better. I knew that I had to start my novel there all along.

And you know too.

You know when you read through your draft that that verb is too flowery or that sentence isn't right. You know when your protagonist's monologue that stretches for three pages is way too much dialogue and not enough action. You know that you had to start with Sentence A rather than Sentence B.

That's the beauty of being a writer. All you need is within you. You can feel the self doubt creeping in, whispering "that doesn't work." You hear it, even subconsciously, and it puts this seed inside you that makes you show your work to others and ask, "Hey, what do you think of Sentence B?"

Every time (if they're not lying to save your feelings), your readers and critiquers, and yes, your agents, know that you should cut Sentence B and all that precedes it.

The power lies within you. The hard part is learning to listen to it.

The reward, however, is great. I'd much rather grab a reader by the throat and have them tearing through my novel than lead them timidly by the hand.

Space, The First Frontier for Writers. (AKA, another super-late post, Sorry!)

Sorry for the radio silence this week, guys. Chalk it up to another super late post tally.

To make it up to you, I can only offer this one simple image that I think we can all relate to. It pretty much sums up this week for me:

https://www.pinterest.com/pin/476326098070182263/


Want more where that came from along with witty motivation and cool idea starters? Check me out on Pinterest!