Tuesday, May 24, 2016

Please, No Need to Explain

Today, we're going to discuss repetition, especially where it fits in with details while writing your scene.

I'm sure you've read it before. I'm sure you've written it before. Heck, I certainly have!

You write a beautifully descriptive sentence about a character's actions. Then, you explain it.

Don't know what I'm talking about? Here's an example:


Wanda fiddled with her pen. She looked from me to the bundle of fur in my arms and finally rested her eyes on the dusty ceiling fan. "You found it, huh?" she said skeptically. 


You've already shown us through Wanda's actions and her words that she's skeptical about the story the protagonist has told her. Repeating this skepticism by writing, "she said skeptically" is redundant.

Why shouldn't we explain details in our writing?

1) It's Unnecessary: You've just shown us through action and dialogue that a character feels a certain way. No need to beat us over the head with the emotions.

2) Showing is Better Than Telling: We've heard it since the fifth grade, folks. Show don't tell. If you can show through stage direction and action how a character feels, why would you instead choose to tell your readers? It's so much more real and immersive when they're involved in the scene.

3) It Insults the Reader: When you repeat information twice in the same paragraph - sometimes in the same sentence! - you're basically telling the reader that they're too thick to understand from your subtle actions what your characters are feeling, so you're going to write it down in plain English for them to grasp. Your readers are smart. You are smart. No need to repeat what's already been conveyed.

So the next time you're editing or even writing your scene, try not to explain what's happening. If you're properly conveying stage action and details as they unfold organically from your characters, there's no need to go back through and tell us that Benji feels slighted, Amanda is frustrated, and the entirety of Wisconsin is hip-deep in snowfall.

Wednesday, May 11, 2016

What The Sun Taught Me (AKA: writing characters who aren't like you)

In my spare time I write content for a free environmental awareness Zine in my town. The pages are small (about the size of a greeting card) and so rarely require over 200 word submissions.

Though this means I'm not saddled with the burden of a 1,000 word essay every month, it is difficult to write content to fit within a 200 word maximum.

Another added dilemma comes in the form of themes. This month, with a theme of the Summer Solstice, I am writing a Sun Affirmation and a Yoga Sun Salutation Sequence. Sounds interesting, right? The only problem is: I'm allergic to sunlight.

When the sun's rays touch my skin, it inflames and breaks out in a hive-like rash that both feels like molten lava is trapped under my skin and like an army of tiny men with pitchforks are stabbing me repeatedly. I try to stay out of direct sunlight most of the time, and when I have to be in the sun, I usually feel like I'm going to vomit.

However, I know that I am in the minority. Most people love the sun. They love the warmth and the light and the general euphoria that comes with the fact that it's not raining or snowing or the apocalypse.

So, how in the world could I buck up my general avoidance of the large glowing star in the sky into adoration? How could I put aside my personal feelings and put myself in the shoes of others?

Research.

The first thing I did was read up on all the scientific reasons we need the sun to survive. It gave me a new look at the thing I'd grown to know as a hindrance. I had a new admiration for just how much the sun does on this Earth, and you know what? I started liking the sun, too.

Now, I'm not going to go out and bask under the rays for the rest of the day (that would hurt) but I did gain enough information and empathy to write the pieces required of me for this month's issue.

What does this story mean for you?

Well, eventually in your writing career, you will write a character that doesn't share all your same likes and dislikes. You'll write someone of another religion, or someone who dislikes the taste of chocolate, or someone who only wears the color green. It's your job as a writer to research and empathize with the type of person that has values that may not necessarily line up with your own. Not only will you write a fully-rounded and believable character, but you'll expand your own knowledge in the process.

So, go ahead. Give your protagonist a weird quirk or get inside your antagonist's head for awhile. See the world from their perspective and understand why they like or dislike a certain thing. When you research it for a moment, you may find things you were never aware existed.

Wednesday, May 4, 2016

The Balance of Mystery

You're writing a mystery novel. Even if no corpses or cops show up in your novel, it's a mystery novel nonetheless.

Why do I say this?

Because every good novel is at its core, a mystery. The tension of an hidden affair, an alien ship hanging over the backyard swimming pool, or a set of rare and valuable records vanishing - they're all full of tension. And the main goal of tension is to keep readers guessing. When they keep guessing, they keep flipping the pages.

Your job as a writer is to keep the mystery alive by laying clues down, but not solving them until the climax of the story.

So remember, even if you're writing for children, a literary romance, or a sci-fi stumbler, you have to keep the mystery alive to keep readers engaged.